Researcher

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Kristopher Woofter

Department of English

Faculty on Leave
Kristopher Woofter
Email: Show Email
Office: 4E.15-1
Local: 4325

Kristopher Woofter, PhD, teaches courses on horror, the American Gothic and the Weird tradition in literature and the moving image in the English Department of Ä¢¹½ÊÓÆµ in Montreal. He is Co-Editor of and Associate Editor of . Publications include the collection, Joss Whedon vs. Horror: Fangs, Fans and Genre in Buffy and Beyond (I.B. Tauris, 2018), co-edited with Lorna Jowett, and Fragments of the Monster: Recovering 1940s Horror Cinema (Lexington, 2015), co-edited with Mario DeGiglio-Bellemare and Charlie Ellbé. He served for ten years (2007-2017) as co-chair of the Horror Area of the Popular Culture Association. His essay, “Watchers in the Woods: Meta-Horror, Genre Hybridity, and Reality-TV Critique in The Cabin in the Woods,” won the Whedon Studies Association’s “Mr. Pointy” Award for outstanding short-form scholarship in Whedon studies. He was also selected as valedictorian for the November 2017 Concordia University convocation. Kristopher is also a programmer for the Montreal Underground Film Festival and co-coordinator of the Montreal Monstrum society.

Publications

  • (2018) Book Co-Editor (with Lorna Jowett) and “Introduction: Whedon and the Myth of Horror.â€� Joss Whedon vs. Horror: Fangs, Fans and Genre in Buffy and Beyond. London: I.B. Tauris.
  • (2018) Essay/Chapter. “Weird Whedon: Cosmic Dread and Radical Alterity in the Whedonverse.â€� Joss Whedon vs. Horror: Fangs, Fans and Genre in Buffy and Beyond. Ed. Kristopher Karl Woofter and Lorna Jowett. London: I.B. Tauris.
  • (20 April 2018) Essay. “Radical Diversion: Attractions Politics in the Horror Pseudo-documentary The Hellstrom Chronicle.â€� MONSTRUM. 1 (1). April 2018.
  • (20 April 2018) Editor. “‘The Death of Death’: A Memorial Retrospective on George A. Romero.â€� MONSTRUM 1(1). April 2018.
  • (20 April 2018) Article. “Monkey Shines: An Experiment in Fear and The Dark Half.â€� In “‘The Death of Death’: A Memorial Retrospective on George A. Romero.â€� MONSTRUM 1(1). April 2018.
  • (January 2015) Book Co-Editor and “Introduction: Fragments of the Monster—Recovering a Lost Decade.â€� (with Mario DeGiglio-Bellemare). Recovering 1940s Horror Cinema: Traces of a Lost Decade. Lanham, MD: Lexington.
  • (January 2015) Essay/Chapter. “A ‘Darkly Hypothetical Reality’: ‘Gothic Realism’ in Forties Hollywood Horror Cinema.â€� Fragments of the Monster: Recovering Forties Horror Cinema: Traces of a Lost Decade. Edited by Mario DeGiglio-Bellemare, Charlie Ellbé and Kristopher Woofter. Lanham, MD: Lexington.
  • (May 2014) Essay/Chapter. “Watchers in the Woods: Meta-Horror, Genre Hybridity, and Reality TV Critique in The Cabin in the Woods.â€� Reading Joss Whedon. Edited by Rhonda Wilcox, Tanya Cochran and Cynthea Masson. Syracuse: Syracuse University Press.
  • (December 2014 – January 2015) Journal Special Issue Co-Editor (with Jasie Stokes) “’We Are Not Who We Are’: Critical Perspectives on Cabin in the Woods (2012).â€� Special Issue of Slayage: The Journal of Whedon Studies. 10.2/11.1 (36-37) Journal Editors, David Lavery and Rhonda Wilcox.
  • (December 2014) Introduction. “Once More Into the Woods: An Introduction and Provocation.â€� (with Jasie Stokes). “’We Are Not Who We Are’: Critical Perspectives on Cabin in the Woods (2012).â€� Special Issue of Slayage: The Journal of Whedon Studies. 10.2/11.1 (36-37) Journal Editors, David Lavery and Rhonda Wilcox.
  • (September-December 2012) Essay. (with Papagena Robbins) “‘Gothumentary’: The Gothic’s Unsettling of Documentary’s Rhetoric of Rationality.â€� Textus: English Studies in Italy. Special issue: “Gothic Frontiers.â€� Edited by Glennis Byron and Francesca Saggini. 25 (3)
  • (2010) Essay/Chapter. “Little Red Riding … Buffy?: ‘Buffy vs. Dracula’ in Explorations of Intertextuality in Introduction to College English.â€� Buffy in the Classroom: Essays on Teaching with the Vampire Slayer. Edited by Meghan K. Winchell and Jodie A. Krieder. Jefferson, NC, and London: McFarland.

Last Modified: December 19, 2018